嘉義民族管弦樂團

⭐️【荷風樂語｜六月週末快閃】 箏聲響起，池邊的風停了， 荷花一朵朵靜靜盛開， 像是在聆聽，也像在低語。 六月的早晨，來水榭遇見音樂與花開的時刻。 📍嘉義縣表演藝術中心・水榭舞台 📅 六月週末早晨快閃 #荷風樂語 #嘉義民族管弦樂團 #池畔音樂 #水榭舞台 #嘉義演出 #快閃音樂會 歡迎訂閱我們的YouTube頻道觀賞更多的影片。  / 嘉義民族管弦樂團chiayitraditionalorchestra -------- ● 歡迎追蹤其他的社群平台You can also follow us here: Facebook:  / chiayitraditionalorchestra #cto #嘉義縣表演藝術中心 #古箏

⭐️【荷風樂語｜六月週末快閃】 箏聲響起，池邊的風停了， 荷花一朵朵靜靜盛開， 像是在聆聽，也像在低語。 六月的早晨，來水榭遇見音樂與花開的時刻。 📍嘉義縣表演藝術中心・水榭舞台 📅 六月週末早晨快閃 #荷風樂語 #嘉義民族管弦樂團 #池畔音樂 #水榭舞台 #嘉義演出 #快閃音樂會 歡迎訂閱我們的YouTube頻道觀賞更多的影片。  / 嘉義民族管弦樂團chiayitraditionalorchestra -------- ● 歡迎追蹤其他的社群平台You can also follow us here: Facebook:  / chiayitraditionalorchestra #cto #嘉義縣表演藝術中心 #古箏

《 西湖春曉》 作曲｜詹永明 指揮｜廖元鈺 竹笛｜詹永明、郭虹希、龔偉健、陳慶倫 場次｜《山水情長》詹永明教授兩岸三地師生音樂會 日期｜2024.12.22 地點｜嘉義縣表演藝術中心 演藝廳 該作品為1980年創作完成。樂曲根據白居易《錢塘湖春 行》 的詩意創作，描寫了春季西湖如圖如畫的景色。樂曲 以江南絲竹的音樂語言為主要創作元素，充分展示了 「小、細、輕、雅」的風格特色。通過合理運用江南絲竹 樂曲最有代表性的板腔變奏特徵和南派曲笛演奏傳統技 法，講究氣與指結合的演奏技巧，音色優美動聽，使作品 凸顯了動中有靜、靜亦靈動的藝術效果。 Composers:ZHAN,YONG-MING Conductor: LIAO,YUAN-YU  Dizi:ZHAN,YONG-MING、GUO,HONG-XI、GONG,WEI-JIAN、CHEN,QING-LUN Event Title: "Enduring Affection for Mountains and Waters" – A Cross-Strait Flute Concert by Professor James Chan and His Students Date: December 22, 2024 Venue: Chiayi County Performing Arts Center, Concert Hall Composed in 1980, this piece is inspired by the poetic imagery of Bai Juyi’s poem “Spring Outing on the Qiantang Lake”, portraying the picturesque scenery of West Lake in springtime. The composition draws from the musical language of Jiangnan Sizhu (silk and bamboo ensemble music), fully embodying its stylistic characteristics of delicacy, elegance, lightness, and refinement. Utilizing the representative banqiang (melodic variation) structure of Jiangnan Sizhu and the traditional techniques of the Southern school of dizi (bamboo flute) playing, the piece emphasizes the seamless coordination of breath and finger technique. With its beautiful and graceful tonal quality, the work achieves an artistic expression that balances stillness within movement and liveliness within serenity. 譯by chatgpt-------- 歡迎訂閱我們的YouTube頻道觀賞更多的影片。      / 嘉義民族管弦樂團chiayitraditionalorchestra   -------- ● 歡迎追蹤其他的社群平台You can also follow us here: Facebook:     / chiayitraditionalorchestra   #CTO #西湖春曉 #山水情長 #詹永明 #郭虹希 #龔偉健 #陳慶倫 #廖元鈺 #兩岸三地師生音樂會 #嘉義縣表演藝術中心 #中國笛 作曲｜詹永明 指揮｜廖元鈺 竹笛｜詹永明、郭虹希、龔偉健、陳慶倫 場次｜《山水情長》詹永明教授兩岸三地師生音樂會 日期｜2024.12.22 地點｜嘉義縣表演藝術中心 演藝廳 該作品為1980年創作完成。樂曲根據白居易《錢塘湖春 行》 的詩意創作，描寫了春季西湖如圖如畫的景色。樂曲 以江南絲竹的音樂語言為主要創作元素，充分展示了 「小、細、輕、雅」的風格特色。通過合理運用江南絲竹 樂曲最有代表性的板腔變奏特徵和南派曲笛演奏傳統技 法，講究氣與指結合的演奏技巧，音色優美動聽，使作品 凸顯了動中有靜、靜亦靈動的藝術效果。 Composers:ZHAN,YONG-MING Conductor: LIAO,YUAN-YU  Dizi:ZHAN,YONG-MING、GUO,HONG-XI、GONG,WEI-JIAN、CHEN,QING-LUN Event Title: "Enduring Affection for Mountains and Waters" – A Cross-Strait Flute Concert by Professor James Chan and His Students Date: December 22, 2024 Venue: Chiayi County Performing Arts Center, Concert Hall Composed in 1980, this piece is inspired by the poetic imagery of Bai Juyi’s poem “Spring Outing on the Qiantang Lake”, portraying the picturesque scenery of West Lake in springtime. The composition draws from the musical language of Jiangnan Sizhu (silk and bamboo ensemble music), fully embodying its stylistic characteristics of delicacy, elegance, lightness, and refinement. Utilizing the representative banqiang (melodic variation) structure of Jiangnan Sizhu and the traditional techniques of the Southern school of dizi (bamboo flute) playing, the piece emphasizes the seamless coordination of breath and finger technique. With its beautiful and graceful tonal quality, the work achieves an artistic expression that balances stillness within movement and liveliness within serenity. 譯by chatgpt-------- 歡迎訂閱我們的YouTube頻道觀賞更多的影片。      / 嘉義民族管弦樂團chiayitraditionalorchestra   -------- ● 歡迎追蹤其他的社群平台You can also follow us here: Facebook:     / chiayitraditionalorchestra   #CTO #西湖春曉 #山水情長 #詹永明 #郭虹希 #龔偉健 #陳慶倫 #廖元鈺 #嘉義縣表演藝術中心 #中國笛

訂閱CTO頻道 https://www.youtube.com/c/嘉義民族管弦樂團ChiayiTraditionalOrchestra 《七星曉望》 作曲｜吳宗憲 指揮｜任燕平 古箏｜黃俊錫 場次｜時光隧道下的兩端VII ─ 古韻新穎 日期｜2024.09.01 地點｜嘉義縣表演藝術中心 演藝廳 七星山，台灣北部的守護神。山中不僅四季分明、鳥語花香，亦是尋幽攬勝的最佳去處！ 此曲為中華民國國樂學會七十週年紀念，委託創作之古箏協奏曲。作者將傳統古箏定弦中的五音sol改調弦為fa，試圖讓樂曲在聽覺上有些遊走在大、小調間的迷濛與呈現山中景色瞬息萬變、氣象萬千的姿態! 樂曲共分為五個段落，前四段分別取材七星山的著名景點，第五段則為清晨遠眺七星山。 一、大油坑 二、夢幻湖 三、芒花海 四、冷水坑 五、望七星 Composers: WU,Tsung-Hsien Conductor: JEN Yen-Ping Guzheng:HUANG,Chun-Hsi Title: At Both Ends of the Time Tunnel VII - Ancient Melodies, New Innovations Date: September 1, 2024 Venue: Chiayi County Performing Arts Center, Concert Hall Qixingshan: Guardian of Northern Taiwan With its distinct seasons, birdsong, and blooming flowers, Qixingshan (Seven Star Mountain) stands as the guardian of northern Taiwan and a perfect destination for those seeking tranquility and scenic beauty. This piece is a guzheng concerto commissioned for the 70th anniversary of the Chinese Music Association. The composer retuned the traditional pentatonic "sol" string to "fa," creating a subtle blend between major and minor tonalities. This technique evokes the ever-changing moods and breathtaking vistas of the mountain landscape. The composition is structured in five sections, inspired by the famous sights of Qixingshan, with the final part depicting the view of the mountain at dawn: 1. Dayoukeng (The Great Crater) 2. Menghuan Lake (Dream Lake) 3. Sea of Silvergrass 4. Lengshuikeng (Cold Water Pit) 5. Gazing at Qixingshan 翻譯by chatgpt -------- CTO社群平台 follow us: 官網 / https://www.taiwancto.com/ https://www.facebook.com/ChiayiTraditionalOrchestra https://www.instagram.com/taiwancto/ #CTO #任燕平 #吳宗憲 #黃俊錫 #七星曉望

訂閱CTO頻道 https://www.youtube.com/c/嘉義民族管弦樂團ChiayiTraditionalOrchestra 尋中華古文化之魂 ——打擊樂協奏曲《商銅》創作思考 文:王辰威 https://wangchenwei.wordpress.com/essays/shang_essay/ 《商銅》 作曲｜王辰威 指揮｜任燕平 打擊｜謝從馨 場次｜時光隧道下的兩端VII ─ 古韻新穎 日期｜2024.09.01 地點｜嘉義縣表演藝術中心 演藝廳 00:00 進場 指揮｜任燕平 打擊｜謝從馨 00:19 第一樂章《鉞：君王的戰斧》 07:04 第二樂章《爵：貴族的酒杯 》 12:13 第三樂章：《鼎：國權的象徵》 三千多年前的商王朝為後世留下了兩項文化瑰寶：甲骨文和青銅器。商代銅器工藝精湛，紋飾秀美、造型生動，是上古中原文明興盛的見證，是華夏民族祖先智慧的結晶。作者參觀臺北國立故宮博物院《商代禮樂器展》有感而發，創作了這首以純華族打擊樂器演奏的協奏曲，以三個樂章譜寫三種銅器，重現商銅昔日之輝煌。 第一樂章《鉞：君王的戰斧》 鉞乃兵器禮器，代表王者軍權。公元前十六世紀，商軍征討夏國，金戈鐵馬、所向披靡，並於「鳴條之戰」推翻了腐朽的夏王朝。此樂章呈現商湯誓師的恢弘場面，如《詩經·商頌·長發》中所述：“武王載旆，有虔秉鉞。如火烈烈，則莫我敢曷”。 《鉞》打擊獨奏採用建鼓和排鼓，旋律則以管樂為主。樂隊全體敲木棒模仿兵器撞擊，并以跺腳模仿軍士步操。 第二樂章《爵：貴族的酒杯 》 於結盟、出師、凱旋、慶功之際，王公權臣以爵敬酒，宴飲同歡。此樂章舒緩高雅，描述宮廷禦宴觥籌交錯、鸞翔鳳舞之盛況。 《爵》打擊獨奏採用懸挂的川鈸、小鑼、中鑼、大鑼演奏節奏性的相對音高音型，中段采用竹板和節板。開頭和結尾用鈸壓在大鑼上，並單手滾奏大鑼，以模仿灌酒之聲。旋律主要發揮彈撥樂，應用了滑音、拉弦、泛音等技法。 第三樂章：《鼎：國權的象徵》 鼎由食皿演變為祭祀禮器，並衍生出“定鼎、問鼎、鼎立、鼎盛”等詞匯。此樂章的主動機 D-G-A 由三個四度相連的音符組成，象徵三足鼎和四足鼎。 《鼎》打擊獨奏採用編鐘、雲鑼、花盆鼓、小鑔及風鑼。某些樂段獨奏者一手敲雲鑼，一手敲鼓，結合了旋律與節奏伴奏。主題旋律由弓絃樂器呈現，沉穩大氣，表現商朝的泱泱氣派與民殷國強。本樂章的亮點是全體樂隊以兩千年前上古漢語發音朗誦《詩經·商頌·玄鳥》片段：“天命玄鳥，降而生商，宅殷土芒芒。古帝命武湯，正域彼四方。” 臺北市立國樂團委約王辰威創作《商銅》並於2019年首演，隨後桃園市國樂團、高雄市國樂團、北京民族樂團等相繼公演。 Composers: WANG Chenwei  Conductor: JEN Yen-Ping percussion: HSIEH Tsung-Hsin Event Title: At Both Ends of the Time Tunnel VII - Ancient Melodies, New Innovations Date: September 1, 2024 Venue: Chiayi County Performing Arts Center, Concert Hall Three thousand years ago, the Shāng Dynasty bequeathed two cultural treasures to China: the oracle bone script and Chinese bronzeware. The exquisite craftsmanship and design of Shāng bronzeware bear witness to the illustrious history of ancient China. Inspired by an exhibition of Shāng Dynasty ritual objects and musical instruments at the National Palace Museum in Taipei, this concerto exclusively features Chinese percussion instruments. It evokes the grandeur of the Shāng Dynasty through three movements, each themed after a type of bronzeware. First Movement: Yuè – Battle Axe of Kings The Yuè was a weapon that doubled as a ceremonial object, symbolising a king’s military command. This movement depicts King Tāng of Shāng rallying his vast army to campaign against the ruthless King Jié of Xià in 1600 BCE. The soloist performs on the Jiàngǔ (mounted drum) and Páigǔ (arrayed drums) while the wind instruments carry the melody. To evoke the clash of weaponry, the orchestra musicians strike with wooden sticks and stomp their feet to portray infantry drills. Second Movement: Jué – Wine Vessel of Aristocrats The Jué was a wine vessel used by rulers and aristocrats on occasions such as forging alliances, going out to war and celebrating victories. This elegant and relaxed movement conjures images of a palace banquet with intermingling winecups and graceful dancers. The soloist plays rhythmic figures with relative pitches on suspended Chinese cymbals and gongs. Bamboo clappers are used in the middle section. At the beginning and end, the soloist presses a cymbal on a gong while playing tremolo on the gong to imitate the sound of pouring wine. Plucked string instruments are featured for the melody, incorporating techniques like slides, pitch bends and harmonics. Third Movement: Dǐng – Ritual Cauldron of Sovereignty The Dǐng, a cooking vessel, became a ritual and ceremonial object symbolising a country’s sovereignty and was adorned with ancient Chinese characters engraved in the bronze script. The movement’s main motif, “D-G-A”, comprises three notes separated by the musical interval of fourths, symbolising the ancient three-legged and four-legged Dǐng. The soloist plays the Biānzhōng (pitched bells), Yúnluó (pitched gongs), Huāpéngǔ (low drum), Xiǎochǎ (small cymbals) and Fēngluó (thin gong). Some segments involve one hand playing pitched notes on the Yúnluó and the other hand simultaneously playing unpitched rhythmic accompaniment on the drum. The main theme, presented by the bowed string instruments, is stately and dignified, portraying the vast and prosperous lands of the Shāng dynasty. A highlight of this movement is the recitation by the orchestra of a verse from the poem The Swallow from Poetry Classics: Shāng Odes using Old Chinese pronunciation (a scholars’ reconstruction of Chinese pronunciation two millennia ago). The meaning of the verse is as follows: Heaven mandated the swallow, To descend and give birth to the Shāng, Dwelling in Yīn, a vast state. God appointed the martial Tāng, To secure the kingdom great. Commissioned and premiered by the Taipei Chinese Orchestra in 2019, this piece has since been performed by several other orchestras, including the Taoyuan Chinese Orchestra, Kaohsiung City Chinese Orchestra, and Beijing Chinese Orchestra. -------- CTO社群平台 follow us: 官網 / https://www.taiwancto.com/ https://www.facebook.com/ChiayiTraditionalOrchestra https://www.instagram.com/taiwancto/ #CTO #任燕平 #謝從馨 #打擊 #商銅

《晴此雨木》 作曲｜謝惠如 指揮｜任燕平 場次｜時光隧道下的兩端VII ─ 古韻新穎 日期｜2024.09.01 地點｜嘉義縣表演藝術中心 演藝廳 那是晴時多雲偶陣雨的民雄，有著晴空萬里的鳳梨田，還有細雨濛濛的雨傘節，柴柴與好朋友們沿著民雄鄉一路踩點，在陣陣的嬉笑打鬧中了解民雄不同的面貌，留下屬於他們的時空印記。 　「柴柴去𨑨迌」親子音樂劇，是嘉義民族管弦樂團精心設計之親子同樂音樂會系列，結合音樂和話劇的演出，創作主角：柴柴，以柴犬親和可愛的形象，帶領三個好友樂手四處遊歷，並在旅程中介紹各個景點。2024年本劇主題選定為樂團的創立之處——嘉義縣民雄鄉，演出內容中，融入了旺萊山（鳳梨為民雄鄉農特產）、國家廣播博物館、民雄鬼屋及熱鬧的地方慶典大士爺文化季等，讓觀眾在欣賞音樂之餘，也能瞭解在地的故事。 Composers: Hannah Hsieh Conductor: Ren Yanping Event Title: At Both Ends of the Time Tunnel VII - Ancient Melodies, New Innovations Date: September 1, 2024 Venue: Chiayi County Performing Arts Center, Concert Hall That is Minxiong—where sunny skies turn to clouds and occasional showers. Vast pineapple fields bask under the clear blue sky, while the drizzle gently accompanies the Rain Snake Festival. Chai Chai and friends wander through Minxiong, exploring its many facets with laughter and play, leaving behind their own footprints in time. 翻譯by chatgpt -------- 歡迎訂閱我們的YouTube頻道觀賞更多的影片。     / 嘉義民族管弦樂團chiayitraditionalorchestra   ● 歡迎追蹤其他的社群平台You can also follow us here: Facebook:     / chiayitraditionalorchestra   #CTO #晴此雨木 #謝惠如 #任燕平 #柴柴 #委託創作

訂閱CTO頻道 https://www.youtube.com/c/嘉義民族管弦樂團ChiayiTraditionalOrchestra 《蒼勁》 作曲｜任重 指揮｜任燕平 場次｜時光隧道下的兩端VII ─ 古韻新穎 日期｜2024.09.01 地點｜嘉義縣表演藝術中心 演藝廳 樂團｜嘉義民族管弦樂團 蒼勁-蒼鬱的樹林、強勁的生命力，是天地系列作《蒼穹》、《溟》後的第三首，接續著《蒼穹》的澎湃、《溟》的流動。狀聲的跺腳、管樂擬氣息聲，《蒼勁》以生命力為出發，孕育萬物的大地而書寫，中間以固定樂思表示樹林裡開始有規律而生長的各種生機樣貌，奇形怪狀卻又可愛自然。 Composers｜Ren Zhong Conductor｜Ren Yanping Event Title｜ At Both Ends of the Time Tunnel VII - Ancient Melodies, New Innovations Date｜September 1, 2024 Venue｜ Chiayi County Performing Arts Center, Concert Hall Lush forests and resilient vitality—Vigorous is the third piece in the Heaven and Earth series, following the grandeur of Firmament and the fluidity of Abyss. With percussive stomps and wind instrument breath effects, Vigorous draws inspiration from the life force that nurtures all things. A recurring motif emerges in the middle section, symbolizing the rhythmic and organic growth of the forest—wild, peculiar, yet naturally beautiful. 翻譯by chatgpt 歡迎訂閱我們的YouTube頻道觀賞更多的影片。     / 嘉義民族管弦樂團chiayitraditionalorchestra   -------- ● 歡迎追蹤其他的社群平台You can also follow us here: Facebook:    / chiayitraditionalorchestra   #CTO #任燕平 #蒼勁 #任重